by Thomas Altmann » Mon Dec 13, 2010 1:43 am
Hi Robert,
Folklyric Records had published LPs with the Sexteto Habanero and Agustin Gutierrez or Andres Sotolongo on bongo, and with Sexteto Boloña feat. José Manuel Incharte "El Chino" on bongo. I'm not sure whether these have been re-published on CD. Both records have liner notes by John Santos.
The recording standard from that time (1925-1926) does not really permit the bongos to "shine". If you want to study Septeto style, check out Oropesa of today's Septeto Nacional. That is truly shining.
I find that without congas, the bongos have to carry more of a sustained, balanced continuo, as opposed to just adding "pepper and salt" by playing a repique that emphasizes accents (in the proper spots) like in a conjunto or in a Salsa band. They are responsible for providing a marcha along with their tasty variations. Am I correct (Mark)?
Remember that back in those days, the bongos were larger and had tacked thin heads. They were practically a different instrument and had to be played differently than today. The sound does hardly compare to modern day bongos. Also, I'm not sure when the standard bongo repique with its typical accents on 1+, 4+ and 3+ emerged. I don't really hear it on these recordings. Bongo players seemed to draw more from the Afro-Cuban repertoire, like Abakuá, Bembé, and Congolese styles. Bongo ad lib playing sounded much freer than today.
Regards,
Thomas