Guaguanco by Lamy
- April 23, 2017
- 14648 downloads
Description
This is just an extract of the instructional book by Laurent Lamy: 7 patterns. The original version contains text with instruction on how to perform the rhythms and the audio files!! Contact the author for more info or visit the store.
by Laurent Lamy
Thank to the author this score is also available into the InstrumentBook where you can find other stuff for this instrument: click here.
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Mozambique by Lamy
- June 07, 2014
- 2319 downloads
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Description
The Mozambique is a style of drumming that was developed in Cuba by Pedro Izquierdo called "Pello El Afrokan" in the early 1960's. Is a style of Cuban carnaval music traditionally played on percussion intruments only. In North America was popularized by Eddie Palmieri and adapted to ensamble interpretations..
by Laurent Lamy
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Mozambique
- June 07, 2014
- 2158 downloads
- 0 Comments
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Description
The Mozambique is a style of drumming that was developed in Cuba by Pedro Izquierdo called "Pello El Afrokan" in the early 1960's. Is a style of Cuban carnaval music traditionally played on percussion intruments only. In North America was popularized by Eddie Palmieri and adapted to ensamble interpretations.. by Daniel Sanchez
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Bembe 2
- June 07, 2014
- 2224 downloads
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Description
This is just an extract of the instructional book by Laurent Lamy: 7 patterns along with an audio file each (go to the store for more info). The original version contains text with instruction on how to perform the rhythms!!
by Laurent Lamy
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Abaqua (orchestre)
- June 07, 2014
- 2140 downloads
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Description
Abaqua (orchestre) by Laurent Lamy
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Boiadero
- June 07, 2014
- 2185 downloads
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Description
A toque used in Umbanda worship in the south of Brazil. Umbanda is a syncretization of Orishá worship, Indigenous Animism, Catholicism, and European Spiritualism, all into a unique Brazilian identity. The Boiadeiro, or cowboy, is one of the spirits given praise during Umbanda worship. Unlike sacred music in Candomblé, praise songs in Umbanda show a great deal of influence from secular music in the same region, especially samba: duple meter, more distinctly Brazilian melodies, and portuguese rather than Yoruban lyrics. The instrumentation is the same as in Candomblé. 3 atabaques: rum (tumba), rumpi (segundo), lé (quinto), ago-gô, and ganzá (optional).
by James McKaskle
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