by Raymond » Mon Mar 01, 2004 5:34 pm
The traditional sound you get on the hembra of the timbal of some old recordings is actually due to the low tuning and the fact that brass timbales were the norm back before LPs Tito Puente's in stainless steel. What kind of heads used back then? Don't know.
The "old" LP timbale sound from the 70s was caused by the use I think of Remo Emperor type heads plus the shells of LPs first and second generation TP timbales was thick and gave you a fat sound despite they were stainless steel.
The shells of most timbales now, brass or stainless steel, are thin and are intended for volume in sound. Remo Weatherking Ambassadors, clear and coated, are the most used in timbale playing. (I think LP uses Remo's Ambassadors but in smooth white instead of the regular coating. I am not sure but I know LP has an arrangement with Evans now regarding conga and bongo synthetic heads. Not sure if Evans make theirr timbales head now. I am sure Meinl does).
Ambassadors have very bright and have overtones. The type of heads I've seen to get that "fat" hembra sound have been Ambassadors coated and Ebony Pinstripes. Some skill in the tuning is required here with the Ambassadors coated but it could be achieved. Ebony Pinstripes will definitively get you the sound. (Beware you will have "odd looking" heads on the macho/hembra. Do not recommend Ebony Pinstripes in the macho because of the dark sound).
The muffling you see by some is to avoid the overtones of the Ambassador type heads or others. Evans came out with some heads named "timbale" but I think they are thin like the Diplomat kind of Remo.
If you want to get out of the ringing try Remo's Powerstroke 3. However, you might lose volume....
Trial and error and skill in tuning...is all it takes!
Edited By Raymond on 1078162512