zaragemca wrote:Brother JC,I think I already touched this subject before...First of all, the first people using the Clay weren't the Moroccan,but the Egyptians,(it was incorporated to them through the trade),and at one point learned how to manufacture things with it...There was never any of the Tribes which went to Cuba doing anything with Clay...And the Bongos were introduced into the cuban music by the Carabalies,(Abakuas),which have never anything to do with Moors....Beside that, the Muslims were the one getting into more contact with the south part of West/Africa,and by that time...The history of the Muslim started during, 500 A.D., the druming have been incorporated in Africa since BC times,Hannibal de Barca,(Greece Empire),already knew about the Arara/drumming.Dr. Zaragemca
tjaderized wrote:Reading through this confirms my impression that we have very little definite knowledge about the true origin of the instrument that we call "bongo"!
Tracing a pair of drums tied together - like the Morrocan clay drums or other types south of the Sahara - just illustrates the "logic" behind the pairing process - the goal to broaden the sound spectrum.
The bongo is much more than the pairing of two drums
zaragemca wrote:......All the actual desing of the Congas,Bongos and Timbales took place in Cuba.Dr. Zaragemca
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