caballoballo wrote:If the gonbops bells are like the lugs on their Bongos I assume they will bend ,crack ect ect.
B0ng0, all bells need time to tune, Jcrs is 1 of the best you just have to stick a piece of rubber inside the bells mouth to adjust their sound, do that by positioning the rubber in different places until you find the sound you like. Also has to do with the way you hold the bell in your hand. No 2 alike bells will sound the same.Do not get exited by the Colombian bells because they may sound good and may not. When buying atake your beater to the store until you get the one of your taste.
Ernesto Pediangco wrote:Regarding Gon Bops bells....UGH ! The black ones are just CB700 bells with horrible heavy metal clamping which is awkward to use & chokes theses cheap ebtry level bells even more. The chromed Bells are not much better in design or sound & chrome plating further chokes the bells mediocre tone yet the dis harmonic over tones ring out in an ugly tone. ( must be made for rock music ) I sent a detailed analysis to Alex Acuna regarding this and other bad design details in the DW Gon Bops product line ( aside from the top of line California Congas which are OK ) that are poorly designed throughtout all the products and mountings that are just the same as so many other Asian made brands of lesser name. But instead of an intelligent and productive conversation w/ insightful opininions ( pros & cons ), he dismissed me and said he believes me to be arrogant and he only converses with Christans ( which I am ) about Christian values etc. I was dismayed that he was not representing Gon Bops to any degree or recognising the expertises of a long time Gon Bops enthusiast since 1972 ( who really wanted to correct many design flaws & contribute new innovative ideas ) The designers are not clever, do not resolve problematic details in product designs and have not represented a proud American brand name like Gon Bops in a good way. The products and lame hard wares are no different than other cheap Asian entry level models and only drag down Gon Bops reputation. I would not recommend the product line or its mounting stands etc due to so many oversights and neglectful / rude customer service from its top endorsing artist. Alex is a superb drummer / percussionist but he has zero engineering or instrument repair experience that would give him innovative insights to correct decades old design flaws. The so called Alex Acuna cajon ~ was introduced to him by me at a show he did at Jazz Alley in Seattle where I supplied the " Atempo " brand cajon I purchased at Plaza Dos De Mayo in Lima Peru. He had not seen this particular brand at this level of quality but he took note ! I sold the cajon he signed w/ a blessing, to a friend. I lost respect for him. A year or more later, DW Gon Bops carried the larger model of Atempo Cajon that was often used by Zambo Cavero ~ a legend of Afro Peruvian & Peruvian Criolla music. At least the Gon Bop cajon is a Latin American cajon from which all rectangular bodied cajons derive & is now all over the globe. I had hoped, Alex could connect me to Gon Bop R & D / product development. DW is said to have sold Gon Bop to Sabian cymbals and perhaps they will listen to me re: the lameness of current Gon Bops products & how I would fix them ! ?
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