by jorge » Mon Sep 18, 2006 4:05 am
I often tune 3 drums to the opening coro of "Malanga Amarilla" from Cachao's classic descargas album. (ma=tumbadora, langa 'ma=tres dos, rilla=quinto)
The actual notes are A, C, and D, but to me the intervals are more important than the actual notes (minor third then a whole step higher, someone correct me if I am wrong, my music theory is REAL rusty). On that song, Tata's 2 drums are at A and C, but you can modify the notes to match the chord structures of many of the songs your group plays, so the drums don't sound too dissonant to the music. This tuning is pretty closely spaced, but I like the sound. For rumba, many of the more modern groups tune the quinto much higher, especially for rumba columbia or real fast guaguanco. The higher quinto feels quicker, although I think a closer spaced quinto integrates better with the other 2 drums, like old Conjunto Guaguanco Matancero or Alberto Zayas with Giraldo Rodriguez on quinto.
Edited By jorge on 1158552580