Santana Jingo lo ba rhythm

A place where discuss about secrets, tips and suggestions for practicing on congas and to improve your skill and technique ...

Postby Karlo » Wed Nov 24, 2004 12:33 pm

Hi,

I am new here and trying to play the congas for a year now. I had a question about a song I want to know the name of the rhythm. it is jingo lo ba of santana, is it based on a Cuban or African rhythm? really curious? or invented by that percussionist, I have the cd called 1969 santana sessions where you can hear the ghost notes clearly in the beginning and I think! I dont hear a heel tip but only tips so I assume it is African.

If somebody could help me? Thx for the time,

Karel
Karlo
 
Posts: 2
Joined: Tue Nov 23, 2004 5:38 pm
Location: Belgium

Postby zaragemca » Wed Nov 24, 2004 4:55 pm

I ya ya yaiii Karlo,the song is from Babatunde Olatunji.
International Club of Percussionists
zaragemca
 
Posts: 789
Joined: Thu Nov 06, 2003 11:18 pm
Location: Houston,Texas

Postby Karlo » Wed Nov 24, 2004 6:04 pm

I ya ya yaiii indeed, didn't knew santana did so many covers... anyway found the website of Babatunde Olatunji and I am very interested in the rest of his work, never heard of him before...but than I still have a question doe sthis rhythm have a name? thx!
Karlo
 
Posts: 2
Joined: Tue Nov 23, 2004 5:38 pm
Location: Belgium

Postby zaragemca » Wed Nov 24, 2004 8:46 pm

It is and Arara-Ewe, percussion Pattern(West Africa).
International Club of Percussionists
zaragemca
 
Posts: 789
Joined: Thu Nov 06, 2003 11:18 pm
Location: Houston,Texas

Postby JohnnyConga » Thu Nov 25, 2004 8:29 pm

After careful analysis of Santana's version, not having heard it in a long time I see/hear, that Mike Carabello is playing his form of a "segundo" pattern, while Chepito is playing a "latin rock" version of guaguanco" who also takes the quinto solo. Now I listened to Baba "Tunji's" version and there were no jimbes on it, just congas and what the brother was playing there I believe to me is a "made up" part while Baba played his 7 foot tall "tree drum", he may have called it "Ngoma". It is also a possible Arara-Ewe rhythmic pattern....."JC" Johnny Conga....HAPPY GOBBLE GOBBLE :D
User avatar
JohnnyConga
 
Posts: 3825
Joined: Mon Oct 29, 2001 7:58 pm
Location: Ft. Lauderdale,Fl/Miami

Postby zaragemca » Sun Nov 28, 2004 9:18 pm

Saludos JC,I'm glad that you related this pattern to the 'segundo' in Guaguanco,becouse it is rooted in the Arara-Pattern, we do the three voices of that specific pattern with the Djembes and Dun-Dun(real-voices),in my drumming -ensemble and when jamming with a Guinea-drummer in Galveston.Even when Babatunde don't use Djembe I know (since I was in Cuba learning this foundation), that a Djembe is part of this pattern.Arara-Ewe.The dun-dun was originally played in a 'horizontal mode',and later with incorporation of different sizes was switched to the vertical set-up, but you would not be able to change the pitch(using the other head-side of the drum).



Edited By zaragemca on 1101677073
International Club of Percussionists
zaragemca
 
Posts: 789
Joined: Thu Nov 06, 2003 11:18 pm
Location: Houston,Texas


Return to Congas Technique, Rhythms and Exercises

Who is online

Users browsing this forum: No registered users and 3 guests