by James M » Fri Apr 02, 2004 2:03 am
One of my personal favorite tunings is tune low to high a major 2nd, that is D and E, F and G, G and B, B and C#, etc...
The reason is that it provides an interesting dissonance and motion to the tumbao.
This tumbao variation (I'm sure some have played this figure)
puts the first the open the first O on the tumba of the 2nd clave bar, and adds an extra O at the beginning of the repeat
H T S T H T S O H T S T H T [O] O
R L
O H S T H T S O H T S T H T [O] O...
I use this as a call when I begin to improvise on the tumbao, adding more syncopated O's and [O]'s, and H T and S fills.
Edited By James M on 1080871916