roberthelpus wrote:Sorry but I can't pick one. It changes to what I've chosen to focus on at the time.
hehe! You beat me to this answer! Just the other day I was totally geeking out on the chekere.. It's fun to see how awesome you can be at holding a part in perfect synchrony like clave, bell, or shaker,, (but with shaker, there's that added dimension of technique with the flow of the skirt) and it can be equally amazing to do this well, just as it is when on a drum..
But, gotta agree with Thomas about Bata - but not the sound so much as the rhythmic complexity.. Nothing like the experience of holding it (for me a total of only a few seconds) in an ensemble that's rockin' it.
Oh, and the sit-down lowest cajon "bajo".. I've really gotten into that one lately too! Just love the technique and a few rhythms I picked up from Miguel Bernal last year. There's a spoon in the left hand technique that is so cool for Columbia, and playing it in the bombo spot in Bembe!!! Whoof! Doesn't get much better than that!